Return to the Nikon FTn

My original example of this camera was the bane of my life. It just never worked. A friend tried to fix it, but it jammed again. I paid a professional to fix it…but it jammed again. Eventually, I took off a few parts, like the battery cap, and gave it away as a bag of parts to someone who fixes cameras for a living.

BUT, me being me, I could not stop looking for another. Finally, I found one for sale that was missing…the battery cover! Before I invested in a new lens to replace the awful 35mm one I had, I wanted to test it with film. I loaded and expired Vision 800T ECN2 film.

Well, what an awful lens, but the camera seemed to work. Yatta! At long last, I had an FTn that worked. I bought a 50mm lens and when it arrived a couple of weeks later, I tried to load a film…the camera had JAMMED!!!!! I will not repeat the words I said.

OK, time to try out a new-to-me repair service. I got it booked in, sent it off and waited. A week after I sent it off to be serviced, it was returned. I loaded an expired Ilford Pan 400 which I intended to push to 800asa.

It…JAMMMED!!!!!!!!!

Goddamn it, what is with this camera?? If I had a naughty list for cameras, this would be at the very top by a country mile. I could have bought a friggin Leica Barnack for the money and effort I had used to own this model of Nikon. To be fair, the second repair shop did say they would fix it again, but I didn’t see the point in spending more money on postage, or more time. I am not linking to any repairer right now as neither was a successful experience and I don’t want to damage anyone’s reputation over cursed cameras.

So, I left the camera on the side while pondering what to do with it. I thought back to my original one and it jammed when the shutter blades got stuck, it unjammed when I flushed it with lighter fluid. Maybe I should just soak the whole area in tonnes of the stuff over and over and over again??

So that is what I did, over and over again until they started to move freely every time. I reloaded the Ilford 400, took some photos around my house and then headed to Kirkstall Abbey.

It worked for the whole roll.

Did it continue to work?

NO!!! I left it for a couple of weeks and went back to it, sticky shutter again. Sod it!!! I sold it and vowed never to buy another. BUT, now I have a 50mm lens and no body to use it with.

I looked around the usual places for a Nikon…and there was a very rough-looking, very cheap …FTn 🙁

FINE, once more unto the breach.

It could do with a very good clean and a seal change. The light meter didn’t not work, but it fired correctly on all speeds and best of all…it didn’t jam!!

So I loaded it with a roll of Reflx Lab 800 and got to wandering Blackpool, where I developed tonsilitis…honestly, this camera is cursed. It came on so quickly, that I didn’t even have the energy to stay for the actual lights that I wanted to photo. When I recovered, I took it for a walk in the rain near my house. Then I sent it off to Photo Hippo, who took longer than usual to send it back as they were sick too! CURSED!!! They were still quick, but a shop of sick little hippos 🙁

Anyway here are the results.

Well, that worked. Even the flash sync worked. There were some light leaks on the film but given the state of the seals I am not surprised. If I do use it again, I will change those.

The film is amazing, look at those colours.

So I finally have a working, slightly ugly Nikon FTn.

Yippee

6 thoughts on “Return to the Nikon FTn

  1. John says:

    Hi. Sorry to hear of your terrible luck with the FTn. I have owned three, still have one, and they have all worked great. Good luck with your current one!

    1. Peggy says:

      I do agree it is down to luck as many people have said the same to me. I have also been told they are one of the easiest to fix as they are so solid…just not mine.

  2. rogerbeal47 says:

    Persistence paid off! I agree with John – Nikomats (and their big brothers Nikon F and F2) are in my experience more reliable than most all other makes of SLR from that era.

  3. William says:

    Peggy, those B&W shots are killer; fabulous renditon of tones – drooling over that shot of the high stone wall. Nice snappy lens at least. Completely agree that the colo(u)r shots are luscious. When it works, it works. How were you metering? Sunny 16? Experienced guesstimation?

Comments are closed.