Category Archives: Photo Post

Back to the Mamiya C2

I haven’t completed any reviews for a while, busy life and such. So this is a photo post.

I decided to try out my Mamiyaflex C2 again. It has been stuck in a cupboard for a while, which is a real shame. It started when I took it to Blackpool and the exhibition I am feature in. I had taken a few cameras to show and , it garnered a fair bit of attention. Someone even offered to buy it, but as is the usual case, that made me love it more and decide not to part with it and make better use of it. So the weather being of the typical crap kind and time short I decided to pick a subject that was handy and compliant. Hello Daddy. Stay still, watch TV, don’t look directly at me…I am Medusa 🙂

Once developed, the film had the usual few white hairs which I removed post processing. BUT they had lots and lots of tiny black fibers, what is the deal with that?

White hairs is a blocking of light, an actual hair. A black thing is light getting through, it is within the film base?? yes??

Hmm the only thing i did differently with this film processing was during the agitation stage. I used the little stick instead of inverting the tank. So is that it? All help and thoughts appreciated.

All that being said, I still love the photo of my dad. He can be quite patient at times.

APS Film Double Exposures

Having seen some APS double exposures on Facebook and Instagram I decided to have a go myself. I have previously reused found APS film by moving the cartridge symbol back to one with a screwdriver. So I figured reusing a whole roll shouldn’t be that tricky either.

For the first trial I put the shortest roll of film I had, a 25exp 200iso Truprint, in a Canon IX7. I chose that camera as it is the only APS camera I have where I can override the film’s preset iso. I set the camera to an ISO of 80 and shot the first pass of the film in my garden and local park. I took photos of textures and nature. I really didn’t want to put too much effort into finding locations as I wasn’t sure it would work. The following day, while I was completing a Wherigo cartridge, I took the camera along for the second pass. The camera was still set at 80 iso. As all APS is out of date I wanted to overexpose the film slightly. If you use a regular point and shoot I actually think expired film could be used twice at its regular iso with no adjustments. For the second pass I took shots of buildings and street furniture. Again, I did not put much effort into the process.

So how did they turn out, these shots that I did randomly with little effort or planning?

Well not bad if I do say so myself 🙂

The magnetic aspect of the film seemed to assure that the two passes lined up perfectly. I think that would be true if you chose to use two different camera. I think that will be my next experiment. It certainly was easier to create these than with 35mm film in a camera without a multiple exposure feature. Plus this way you can use two different locations and times. With regular double exposures on film you have to take one straight after the other, not so with these. That gives a whole new scope to the genre.

Post Updates

I have updated this post, Olympus Mju 140 Zoom, as I have tried a new example. I took it to Blackpool to visit the location of the glass plate I found when using the Victorian camera I was given. The area looks very different now as the original building was demolished and over 100 years has past. Around the back of this building you can find Old Tom’s Cabin.

Uncle Tom’s Cabin
The original glass plate.

Donated Black and White APS film

This is photo post as I want to show the reader who sent me two rolls of Kodak Advantix 400 black and White APS films a while ago. I was saving my last one for something interesting. Finally I have managed to use it, firstly at Ilkeston’s Heritage Fair. Then I finished the roll at Castle Howard where Country File was being held.

I put the film in my Canon ix7, which I feel is the best APS camera I own. I loved the results from this film.

Ilkeston

Castle Howard

As far as APS goes, these two rolls are probably the most successful. I think the grain and the monochrome really adds to the subjects. I really appreciated the chance to try it.

Thank you so much for the gift.

Altering the DX Code of Film

Well school has started in some areas, not in others. Either way it is highly unlikely a supply teacher gets a job on the first day and I did not, so I am at a loose end. That being the case, why not experiment?

I read this article recently and found it very interesting. I thought why not try it, so I did. I won’t go into the technical details as the original article has all that and the history of DX coding, read that post.

The article gives a link to a template which I downloaded. To alter the codes I had to delete the frame around the codes then the tables and texts become more easily editable. Plus as I wasn’t using labels the frames did not matter to me. I made my own page of a variety of different codes and also added a code for the +1 and -1 exposure rating because I could.

Next I found a test film to glue it on, meaning I just use the film to test the loading functions of cameras without wasting an actual film.

As you can see the film is actually a 100, but the code I tried was 400.

So the camera should show 400??

Yatta!!!

OK, so now for the actual film I want to try. An expired one I found in a point and shoot purchase. Recently I have acquired lots of point and shoots, so this hack will be very useful in trying out those cameras. Only….the first film I chose was a 200 and I set it to 50.

I tested it in a Canon EOS 300 before putting it in a point and shoot as they sometimes do not let you know the film speed on the display panel. Once I knew it was working I had to pick a camera, and there was the rub. Many point and shoot cameras have a limited ISO range. The first one I picked up was a Yashica Zoomate 70. As you can see from the photo below, the DX contacts were not a complete set of 6. On checking I found it only recognised films from 100 ISO. Hmm…

I had a look through the cameras I obtained and checked the contact points. The Pentax 738 had more than the Yashica and I found it accepted films starting from 25 ISO. Perfect.

So I put the film in there. Now you will have to wait for the results 🙂

Pinholes with expired Svema

Continuing with the photo posts, I have tried my pinhole cameras again. This time with Svema 125 film from around 1990. The first camera I reused was the Ondu. Each of these were exposed for 2 minutes, on a tripod of course. The film was developed with ilfosol 3 as that is all I have right now. I presoaked the film for 5 minutes, then developed for 14 minutes at 20 degrees. I found that over developed the film, so will try 10 minutes next time. I used water and a few drops of vinegar as a stop bath, then fixed it in the regular way.

The photos are very grainy. I have a love/hate relationship with this pinhole camera. I think the actual camera is beautiful, but am struggling to love the images it produces. The one where I shot straight into the sun had a black hole where the sun was, I deleted that so the rays would be more of a focus.

The next camera, and only other pinhole I tried was the Diana F+, the multi functioning toy camera. I mainly stuck with the 2 minute exposures except the ones inside. One of them is 4 hours long. Now to be fair, I screwed this film up royally. I HIGHLY do NOT recommend trying to thread an old film onto a developing roll in a dark bag when it is hot and humid. I just could not get it to go on. It just kept getting stuck, bending and I was touching it all over the place. I did not have fun!

But you can see the Diana is not as sharp as the Ondu. And if I do bother with Pinholes again that is the camera I will choose. But why, it is just not my thing. I would prefer to put the film in the Kiev 88 or another medium format camera.

I hope my next post has much sharper photos 🙂

4×4 on the Diana F+

After using the Agfa Isoly-Mat I realised I did have another 4×4 format camera. The toy camera Diana F+, it has a 4×4 mask. So one not so sunny day I tried it.

I do like the 4×4 format, you get extra shots for your money. The glass of the Agfa is definitely sharper that the plastic lens of the Diana. The latter has its own charm and can do multiple exposures. It also seems more like a pinhole with the massive drop off at the edges. I think it works well with the ruggedness of historical Yorkshire.

After this film I started drying my films in the bathroom as my own room seems to have all the dust in the world floating about. The bathroom isn’t perfect, but definitely less time is spent getting rid of dust spots after scanning. To remove dust and other stuff I always use inpaint. It is easy to use and can be used to remove much larger items.

Contax RTS III with Macro attachment

As I have said, I am running out of new to me cameras to try so will be moving towards projects and themes. So hello macro photography, my first trial set-up. This is another set up that was been loaned to me by a reader. It has taken me a while to get round to trying it out but on one fading summer day try it I did.

This is the set up.

For my first try I picked a few things from my garden and used the black garden table as a backdrop.

The selection of subjects.

I haven’t tried this kind of thing before, but I already knew there would be a light drop off due to the length of the bellows. I had no idea how much, so I did a quick search and found lots of really technical details with, shock horror…MATH! I can’t find the actual website I used at the time, but this one explains everything very well. This site also has a disc compensation device you can make.

No worries really, my only real issue was the fading light. I had to use a low aperture which meant the already shallow depth of field even smaller. My other issue was the fact I was using film so no chimping to check I was doing it ok. I would really love a Contax to Nikon or Minolta adapter to try it all on digital. I will look around my “stuff box” it is amazing what I shove in there.

Anyway after working out the correct exposure I got to shooting. The depth of field was incredibly shallow as I had to use a f5.6 to gain a speed of 1/125th. I know I was using a tripod, but it was still a bit windy so I needed that speed to avoid any movement. I will try it again on a much sunnier day, when England decides to stop this incessant raining.

Here are my results.

I like them. I want to try it again with a much smaller aperture and a faster film to see the difference. Have you tried this kind of set up? Any advice?