Tag Archives: 35mm

Pentax P30 (P3)

This is the first camera in the P30 series or P3 series elsewhere. I have already tried the P30T and loved it. So when a friend cheekily asked for my ME Super in exchange for a few other cameras including this one, I decided to say yes. Though I did think long and hard about it. In the end I realised, yet again, I have far too many cameras and I didn’t NEED the ME so why not let a friend, who really wanted it, have it??

Hello Pentax P30 from 1985…I kept the lens though.

The difference from the ‘T’ is simple, no aperture priority mode. Apparently there is a program mode, as stated in the manual, but mine doesn’t show the ‘P’ with the lens I have attached.

The ISO/ASA is set by the DX coding on the canister and there is no way to override it. Though you could use the method I have written about before or adjust with the manual exposure you choose.

I tried my P30 with an expired film, that I had already half used in another camera, and took it for a walk in the woods on a very dull, windy day. Due to the movement of the branches and leaves I chose a speed of 1/125th which meant I was sometimes choosing f1.7 at some points. That meant a very shallow depth of field.

This camera is fine, in the passive aggressive sense of the word. I don’t like it as much as the P30t or the ME Super, but it does the job. If I was going to use a K-fit camera I would still choose Spiderman. I found it a porridge kind of camera, not bad, not good, sort of ok if that is all you can choose. You can tell I was enthused by the camera by the length of the post.

Kodak High Speed Infrared Film

A while ago I was given some infrared film. It had expired, but had been kept in a freezer or a fridge since it was produced.

I read up on using it and checkout out some sample photos. Mainly I saw landscapes so decided that was my focus too. This website gives even more details on what to expect and how to use it. It also mentions that the felt on the opening of the cassette is not infrared tight so the warnings on the box and tub are important to follow.

DO NOT OPEN THE TUB OUT OF A DARK BAG. That means you have to load the camera inside the bag. The article also mentions a filter. So before I did anything I ordered an infrared filter on eBay. I got a cheap one as I only had one roll of film. You can use the film without a filter but what is the point of that, it would end up looking like a regular black and white film. I won’t go into lots of technical details, you can do the research too or read the blogs I have already linked to.

I decided to use my Minolta XG2 for the test for these reasons:
1. I knew it worked
2. The lens had an IR diamond on it.
3. The light meter was through the lens.

I set the camera to 100asa and attached the filter. Even though I could not see through the filter, the camera often chose a surprisingly shorter exposure than I expected. It was not short enough that I felt I could do without a tripod, so I took a mini tripod on a walk around Dewsbury Country Park. I only took a few shots as I decided to use some of the roll as a development test as I didn’t really know if it would work or if I could develop it.

Here are a few shots from that first test. I developed it in Ilfosol 3 for 10 minutes at 20 degrees.

To focus I removed the filter and reattached it carefully after. You have to turn the lens a little to the right as IR needs a different focus point than regular light. The other blogs will explain that more clearly. Anyway, the results were interesting. So I took the rest of the roll to another park, where the camera jammed due to a long exposure issue. I only managed a few more shots there before returning home to deal with the camera.

I fixed the camera with the method mentioned in this post. At this point I almost gave up on the film as it was a little awkward to use. The whole “keep in the dark” issue meant I could not just take out the film to look at the camera closely. But with only having one roll I persevered, but was looking forward to finishing it.

Once sorted I decided to finish the roll with a different filter to see what would happen. I chose a regular red one. Here are some results.

As you can see, especially with the path photo, you lose some of the IR effects with a red filter. The image is slightly sharper, but where is the fun in that.

I don’t think I will try it again though it was interesting. Afterwards, the giver of this roll gave me 11 more rolls which I will be selling on eBay if you are interested. Or you can send me a message if you would like to buy a roll.

Kodak Brownie Bullet (Holiday, Chiquita)

As you may know I recently purchased a whole heap of box cameras. I am slowly going through them, cleaning and sorting them. I picked out two to try first, I wanted to chose something slightly different to the two brownies I have tried before.

This little camera looked markedly different from all the others in the box so it was first on my list to try. I think I should have used a banana for scale.

First produced in 1957 it was not on sale in the general market and was obtained by collecting coupons from various promotional deals. I found this out through this amazing Brownie resource. This website is the fountain of all Brownie related knowledge, though it does not give the aperture or speed on the camera page, both are set as there is no scope to change anything. Looking further into the website I found this explanation of all technical details. Using that information I could estimate f11 and 1/50th which was confirmed on this blog. That blog also tells you how to clean this camera. Luckily for me, my example was one of the few in the box that was in great condition. Oh and you can take multiple exposures as the shutter is not connected to the wind on mechanism.

Due to the number of cameras I received and the price of film, I wanted to try a few of the cameras in the cheapest way possible. Sometimes that makes the act of trying them more interesting for me. For this one it meant making a 127 film from a 35mm film with an adapted 120 backing paper. I have tried 35mm in a 127 camera before, but I have not adapted or created a new backing paper before. For the last try, I had already used a new 127 film and reused that roll. I left that backing paper in Japan, but luckily there were many 127 spools and a used 127 roll in one of the boxes. As it was my only one I wanted to preserve it for as long as possible. That was the main reason for trying to make a new backing paper from one of the many, cheaper 120 rolls papers in my possession.

As you can see a 127 spool is smaller than 120 spool. That meant trimming the paper.

So here is how to do that. As you can see in the photo below, an easy way to line things up is by using paper clips. The 120 roll is much longer than 127 so you can easily make the new end sections. Then cut, it doesn’t have to be precise. Test it by rolling it onto the spool without the film. This way you will see if it fits without damaging the film. On mine I found some sections slightly too big by millimetres but that didn’t affect the final results, a roll on a spool.

Next, before adding the film, I wrote the numbers on the new paper.

There were two sets of numbers so I wrote both as I wasn’t sure which I needed. I crossed out the other numbers just to be sure I wouldn’t get confused.

And then, tape the end of the 35mm film to the new paper so you can line it up as straight as possible, put two small pieces of sellotape on the back of your hand. You will need these pieces of tape once you put everything in the dark bag. One for the roll, one for the paper.

Make sure it is at the end of the paper not the beginning as you will be rolling it straight onto the spool.

Before putting everything in a dark bag attach the end of the new 127 paper to the 127 spool and start to roll it as tight as possible until you get passed the end of the exposed film. Now with everything inside the dark bag, keep rolling the paper and releasing the 35mm film, keeping it as tight as possible without touching the film. Once you are close, but not at the end of the paper, cut and tape the end of the film to the paper with the tape you put on your hand. The other piece of tape is to keep the roll paper nice and tight when you removed it from the dark bag.

And finally load it in the camera of your choice, for me the Bullet, at your leisure.

I used my camera on a rainy walk to the bus station. There are just 8 shots so it didn’t take long. I developed it in Ilfosol 3 when I got home.

This time I managed to scan the sprockets by using a 120 mask and some tape. The long sides did curl up a little, but I sacrificed a little sharpness for the sake of saving my scanner plate from sticky residue.

I love the results and really liked the camera. It is the only one from the box that would actually fit into my pocket. Making the 127 roll was easy and cheaper than buying 127 film. I just had to remember to align the image in the center of the viewfinder as the results would not be square. There are other 127 cameras in the box so I will use this system again, unless I get some 127 film for Xmas 🙂

Altering the DX Code of Film

Well school has started in some areas, not in others. Either way it is highly unlikely a supply teacher gets a job on the first day and I did not, so I am at a loose end. That being the case, why not experiment?

I read this article recently and found it very interesting. I thought why not try it, so I did. I won’t go into the technical details as the original article has all that and the history of DX coding, read that post.

The article gives a link to a template which I downloaded. To alter the codes I had to delete the frame around the codes then the tables and texts become more easily editable. Plus as I wasn’t using labels the frames did not matter to me. I made my own page of a variety of different codes and also added a code for the +1 and -1 exposure rating because I could.

Next I found a test film to glue it on, meaning I just use the film to test the loading functions of cameras without wasting an actual film.

As you can see the film is actually a 100, but the code I tried was 400.

So the camera should show 400??

Yatta!!!

OK, so now for the actual film I want to try. An expired one I found in a point and shoot purchase. Recently I have acquired lots of point and shoots, so this hack will be very useful in trying out those cameras. Only….the first film I chose was a 200 and I set it to 50.

I tested it in a Canon EOS 300 before putting it in a point and shoot as they sometimes do not let you know the film speed on the display panel. Once I knew it was working I had to pick a camera, and there was the rub. Many point and shoot cameras have a limited ISO range. The first one I picked up was a Yashica Zoomate 70. As you can see from the photo below, the DX contacts were not a complete set of 6. On checking I found it only recognised films from 100 ISO. Hmm…

I had a look through the cameras I obtained and checked the contact points. The Pentax 738 had more than the Yashica and I found it accepted films starting from 25 ISO. Perfect.

So I put the film in there. Now you will have to wait for the results 🙂

Voigtländer Vito B

I got this film developed before I went on holiday and I thought I had already written the draft, but you know what thought did.

This camera was a cheap eBay purchase well over a year ago and I never got around to using it. Too many other cameras I suppose. I have never tried a Voigtlander and wanted to add one to this blog, this was the cheapest I could find. Look how small and shiny it is.

My example has the small viewfinder which means it is an earlier model from 1954-57. There are loads of technical details on the net about this camera. Here is one. That link and this link mention the shutter is cocked by the advancement of the film. So without the film inside the winding mechanism just keeps turning making you think it might be broken. You can test it by manually moving the sprockets to cock the shutter, but I wouldn’t recommend it..just in case something happens and you blame me.

Mine came in a case with a paper manual. The case was useful as the body didn’t have any lugs to attach a strap or I don’t have the kind of strap that would attach. Having looked over the camera and noticed the markings in the lens barrel, I wrote this post about zone focusing. I decided to try a few shots with a rangefinder attached and some using the zone focusing technique. The camera uses an Exposure Value system. You set the speed and the aperture you want and then the system moves both at the same time. It means you need to change the setting if the available light changes. I do find this system annoying to use in the UK as the light it nearly always changing. I tried to keep the camera on the highest aperture possible, that would give me the widest depth of field for zone focusing. I also avoided setting the camera to infinity as the depth of field should be covered by the zone choice as well.

I took the camera on a bike ride along the Trans Pennine Trail which goes just passed my house. I have recently discovered how lucky I am in this regard. Summer is here, so expect more photos from this area. I also used it around a garden and Gawthorpe which has a large maypole, but I went in June. You can see a video of the festival from 1914 here, very interesting. I might try and catch it next year.

As for the new WordPress gallery, I have figured out how to avoid cropped photos. I upload all the landscape first and then the portraits.

The camera performed really well and the images are nice and sharp with a lovely quality. It was smooth to use and load. Considering it is a small camera, it is fairly heavy even without the case. These cameras are easy to find and many are in fantastic condition. If you want a cool looking film camera, then you can’t go wrong with this camera for the price. I might keep mine as it seems the price I would get would not be worth the hassle of selling it.

Konica S II

This was a bargain of a camera that I had no intention of buying. There I was in the junk section of a Japanese camera shop and I remembered someone asking me to look out for a Konica S2 rangefinder. Out of the corner of my eye I spotted the label Konica, on further inspection it was an actual SII. It was only $10, a bit messy. I tried the shutter and it seemed fine. I looked inside and it looked clean. The selenium cell didn’t seem to be working, but it was a manual camera so that didn’t matter. It was worth the risk as a present for my friend.

This great blog says it is rare to find an example of this camera with a working meter, so no worries on that front. It was released in 1961 and sold mainly in Japan, exactly where I was and probably the reason it was so cheap. The only real fault I could find was a hole above the selenium cell, but that didn’t seem to have any affect at all. According to this website, that hole might be to allow extra light into the viewfinder which is indeed bright. The winder movement felt very short, barely over 90 degrees. In fact while using it, I thought it might not be fully winding the film on and expected overlapping images. The focusing second image was clear enough to use the camera comfortably, so if it worked I had found a nice little bargain. You can find lots of technical details on the first link of this post.

As I had found it in Japan, I put in some of original Fuji Acros Neopan 100. I am so happy to read it is being rereleased. Then I headed over to the Manchester Day Parade to use it up.

I used another camera at the parade as well, I will write about that in another post. I was feeling quite brave and asked many people if I could take their photo, only one person said no. Usually I am a bit more shy about these things, but I was with a film photography group and that always gives me more confidence. Everyone was so happy, I recommend a day out in Manchester if you like street photography.

As for the camera, it was a delight to use. It looked cool, it worked perfectly, and look at those images. The lens is super sharp, what a cracker!

It was a touch on the heavy side for me, only a touch though. If I didn’t have a million cameras, I would be happy to keep this one, but I am more than happy to give it to my friend.

Yashica T AF

This camera was a complete gamble. I know I usually buy cameras that are in junk bins and are a gamble, but usually they don’t cost much or I can test them a little in the shop to check them. But this for this one I could not test it at all and it was electronic so there could be things wrong that I could not fix. The price of the camera was $25, so it was more than I would usually spend on a broken electronic camera. I figured I could at least sell if for parts and get some of my money back if it didn’t work. At the end of the day it was a Yashica T and I probably would not be able to afford one in any other circumstance.

As you can see it was fairly clean with just a small crack on the lens cover. The flash did not stay retracted, but it still worked when I put in two AA batteries and slid the button. Also it seemed to want to load a film when you opened the back door. When I pressed the shutter the lens cover retracted and it seemed to take a photo. It activated 4 times then stopped completely. I opened the back once more, and again it tried to load a film, but then the shutter button would not do anything and the lens cover didn’t retract. So the shutter was stuck or sticky. Bugger. I did a search online and found this video.

That seemed to be exactly what my version did, maybe I could fix it too. I followed the video and did the same thing. Low and behold it worked. I pressed the shutter many times and fake loaded it many times, it carried on working. So now to test it with a film, but holy moly I was excited at the prospect. I liked how the lens cover retracted for each shot then returned to its original position. So there would be no forgetting the open it for shooting or closing it for protection. But that movement added to the electronics and might add to the issues. I also liked the slider which turned on the camera as it covered the shutter button when it was turned off. No bag shots with this camera. Plus the flash is off until you slide it on, so no random flashes

Here is the test roll, or half a roll as I had previously used it on another test camera.

I tried a few repeat shots, with and without the flash to see the difference and how the camera coped. For outdoor infinity shots, it seemed to cope very well and the exposure choices were great. For the closer shots, like the flowers, the focus is a bit off. So the minimum focal length can catch you out. I would suggest at least 2 meters to be sure.

Introduced in 1984 it was a top of the line point and shoot. The camera has a shutter speed range of 1/30 to 1/700 seconds, and has film choices of ISO 50 to 1000. Of course it has a Zeiss Tessar lens, but for me I have other cameras that performed better and I don’t think that has anything to do with the sticky shutter. For instance the Pentax PC35 AF which is turning into my favourite non-zoom point and shoot.

Keep or sell: It sold immediately.