I haven’t completed any reviews for a while, busy life and such. So this is a photo post.
I decided to try out my Mamiyaflex C2 again. It has been stuck in a cupboard for a while, which is a real shame. It started when I took it to Blackpool and the exhibition I am feature in. I had taken a few cameras to show and , it garnered a fair bit of attention. Someone even offered to buy it, but as is the usual case, that made me love it more and decide not to part with it and make better use of it. So the weather being of the typical crap kind and time short I decided to pick a subject that was handy and compliant. Hello Daddy. Stay still, watch TV, don’t look directly at me…I am Medusa 🙂
Once developed, the film had the usual few white hairs which I removed post processing. BUT they had lots and lots of tiny black fibers, what is the deal with that?
White hairs is a blocking of light, an actual hair. A black thing is light getting through, it is within the film base?? yes??
Hmm the only thing i did differently with this film processing was during the agitation stage. I used the little stick instead of inverting the tank. So is that it? All help and thoughts appreciated.
All that being said, I still love the photo of my dad. He can be quite patient at times.
I recently received a package from a reader, I love it when that happens. He sent me two black and white APS film cartridges.
I said thanks of course and promised to use it somewhere “nice’. I ended up taking it to Castle Hill and Almondbury, Huddersfield.
As this was ‘special’ film, I decided to use it in my Canon IX7 as it has an ISO override feature. The film is rated at 400, I set the camera to 200. I think I will set the next roll to 100 as it still turned out a little underexposed.
I think the photos lack contrast, but considering the age of the film they are not so bad. In my opinion the grain adds to the shots. I did a quick search and the film is still available from various places including Amazon, Ebay, and certain film supplying sites.
As for the hill, gosh it was windy. The hill overlooks the whole region and catches every bit of wind. I can’t wait to go back on a sunnier day for a picnic. BUT there are no toilets nearby, I do miss the lovely toilets in Japan. Always clean, always present.
This rangefinder from 1959 was the last camera I bought in Japan, but not the last one I have to review from there. I have one more that is currently being CLA’d and won’t be returned for another month.
In fact, I bought this camera day before I left for the airport. I couldn’t resist it. A Mamiya, a rangefinder, nice and solid…and heavy. Crap, I was already over my luggage weight limit. Maybe I could just wear it around my neck?? And that is what I did 🙂
Everything seemed great. The only issue was the rangefinder patch seemed very dim. Then I stumbled upon this article about adding a square of tape to the viewfinder. As you can see, it worked a treat. Here is another article, with photos. When researching the camera I found one site that stated there were two versions released, the f2.8 and f1.9. All the other sites I found did not mention there were two. Mine is the 2.8, so I cannot attest to the 1.9 version.
There is very little to be found on the net about this Mamiya bar from a few vague lines. They generally say its name and date of manufacture.
From the photos you can gather it has an f2.8 – f22 lens, with a focal length of 48mm. Once the film is loaded you have to manually set the film counter which counts up. There is also a film reminder dial. As there is no light meter it is a simple reminder only. The film speeds range from 1 second to 1/500th with a B and a self-timer. There is also an M and X for the flash types. Ken Rockwell explains the different settings very well here. Basically, X is for the flash sync and M is for flash bulbs which take time to reach full brightness and therefore needs a different setting. The rangefinder has a short movement and can easily be moved by the index finger alone. The winder moves through slightly over 180 degrees. The viewfinder has a square in the corner where you can see the speed and aperture settings. Unfortunately, I cannot make out the numbers due to my poor close up eyesight. Too much reading maybe.
Well, that was quite technical for me. That’s enough of that. How were the photos?
I took a few in Tsukuba before I left for the airport, then finished the film on a cloudy day out in Liverpool.
Can you see where the switch in countries takes place? One of the posters might give you a clue.
Wow, what a super, not so little camera. I definitely had issues focusing while in Japan, but once I added the tape in England there is an improvement.
As the skin started to fall off while I was using it, I recovered it with maps from places in the UK that I love.