Now, even though I just posted that my plans for my photolife are changing, I still have a few cameras with films inside. So I will be posting more reviews for now, but they will slowly die off.
One of the reasons for the change is because of cameras like this…I hate this camera. In fact I can honestly say I haven’t tried a coronet I do like. So this will be the last one I put a film in. I do have a few more, but due to my new plans for the future, I will not be wasting film in them.
My dislike of this camera is based purely on the viewfinder. I couldn’t see a bloody thing. It was clean enough, but you have to look through it at a specific angle to see anything. I rarely hit that sweet spot. So my test roll shot results were based purely on luck. I don’t think photography should be down to luck.
The one good thing about this 1950s camera is that it can take 620 or 120 film. That is handy, as I didn’t have to respool the film before loading it. Side loading by the way. To be honest, I also kind of liked the ratchety wind on mechanism. It clicked as you turned the knob, but a clicky knob can’t save it in my eyes.
The days I used the D-20 were dull so there was no need to use the built in filter for bright days. Oh I have to say, the plastic strap was equally annoying. It never quite went straight and was uncomfortable around my neck.
Not my favourite results. The one on the bottom, the field, was supposed to be of a cow, but I couldn’t see it in the viewfinder.
Finally, finally!!!! a day with a tiny bit of sun and brightness and I just happened to have camera fully loaded and ready to try. This is the very smart looking Kodak Duaflex which was available in the UK between 1949-1955.
Mine is in pretty good condition considering the age. It has a 75 mm Kodet lens with a fixed aperture of f15. I would guess the shutter speed is about 1/50th or less. There is an option for bulb setting, but that is it really. I have seen a few posts on instagram or blogs about attaching a digital camera to the enormous viewfinder. My example is a little dirty, but still very bright and clear. I might be tempted to clean it and try this type of photography. The square shape of the camera means this type of photography might not be too tricky…now I am even more tempted, but I think I will wait for the spring and longer, brighter days.
As for this camera in its current state, I like it. I liked using it, I like how it looks and I love how the shots came out. They have a definite look to them, a real tapering off of sharpness. I used mine at a local park during a few minutes of sun.
I am definitely going to try this camera again, maybe some portraits to really show off the bizarre focusing effect.
Here are a couple of the images quickly processed using the Snapseed app on my android phone.
This is my favourite Brownie so far. It was produced from 1958-1960 so had a very small production run compared to the others. Just look at it…
This brownie has so many things going for it that distinguish it from the other Brownies I have tried.
It is very easy to clean the viewfinders and mirrors, just pop off the front.
The said viewfinders are nice and big, and once cleaned, very bright.
It has a choice of three speeds which are stated on the camera, no guessing. The choices are 1/40th 1/80th and B. With a set f11 aperture.
The 1/80th speed is quicker than most Brownies which are usually around 1/50th.
There is a built in close-up lens for subjects 5-10ft away.
There is a built in filter for brighter days or faster films.
Both of those filters are labeled on the pull out tabs.
There is a guide to settings on the camera. Though it is for Kodak film from the time. It is useful to know Tri-X is rated 200 ISO, Veri-Pan is 125 ISO and Pan X 32 ISO.
The skin is good quality and can be glued back in place unlike the paper-ish covered versions.
You can take multiple exposures.
There is a flash slot if you happen to have a flash and bulbs.
It is Brown, it really is a ‘Brownie’ hence the ’emphatic’ use of quotation marks.
It uses 620 film so I respooled a roll of Fomapan. Which I have to say is turning all my chemicals bright blue, I wonder if the dye affects the potency of the developer etc. Anyway, I took the camera to my local town when I went to find a pair of wellies. There has been a lot of rain lately, lots of places in Yorkshire are flooded. So I thought wellies might be useful. Unfortunately, there was only one shop selling them and no wide ones, I have fat calves…due to a motorbike accident honest 😦 All that is beside the point. Here is my test roll.
Dark, contrasty and moody, just as I like them.
I used the close up filter on the lettered flag stones. I am just over five foot tall, so I put the camera on my head and used the closeup filter.
This Brownie is one of the few I have decided to keep from the box of 60+ I gained recently. My decision was based on the fact I could take the front off and clean the lens, mirrors, and viewfinders. That made it very easy to use. Also, this version has a close-up lens built-in. Although, close up, means between 3-7 feet so not really close. The only thing I didn’t like was the lack of a tripod socket. With the long exposures of Brownies, there is always chance of camera shake. I find this especially true in regards to the button press versions. On the plus, there was a flash attachments and I do have the flash, but alas no bulbs.
I put in a roll of respooled Fomapan 100 and went on a short walk to use the 8 shots of 6×9.
I loved using this camera, it was simple and just worked. There is surprisingly very little camera shake and it is sharper than any toy camera I have tried. I like the look of the resulting photos. If you are looking for a brownie, then this one is a reliable choice. As mentioned it is easy to clean and very well built. Of course being about 75 years old makes that all depend on previous owners….oh what it might have seen.
Welcome to Brownie blog post. I have a feeling there might be a few of these in the future. This one is for the gorgeously striped Model C produced from 1953. There is an earlier version which has a black front with no stripes.
This one was in good condition, but I was able to clean the mirrors, viewfinders, and lens to make it even better. As you can see it takes 620 film of which there are none. Luckily it is the same size as 120 with a slightly thinner spool. Each one of the cameras I obtained had an empty spool inside so I used the technique I have previously written about to transfer the film. I chose a Fomapan 100 as I thought a faster film would be over exposed at the camera’s f11 aperture and 1/50th speed. There is also a bulb mode and, as with most Brownies, you can take multiple exposures.
I took my example to the Yorkshire Marathon where I was a volunteer spotter for the relay race. That meant I had to “spot” the relay runners in the pack and walkie-talkie the number to the changeover point to make sure their team member was at the front of the queue. It was fun, but tricky when a whole heap of runners went passed. While waiting in the changing area for the bus to take me to the allocated location I tried the bulb mode. I set the camera on a table and pressed the shutter for a count of 45 elephants. It was a guess.
Once at the location, I had time to test the camera while waiting for the next runner. The relay racers set off after the individual runners so I had a little free time, just a little. Anyway, there were only 7 shots left, so it didn’t take long to finish the film.
I did buy some eggs 🙂
For a 65 year old camera, I think it did very well. I enjoyed using it, the clean viewfinder added to the experience. Some Brownies have very dark and dirty viewfinders, but they are easy to clean. These cameras are so cheap that I would recommend waiting to get one that has either been cleaned or is possible to clean, like this one. I sometimes find Brownies hard to align and compose, so a dirty viewfinder would be very frustrating.