Some posts are quick to prepare, process, and write. This post is by far the longest in terms of time and biggest in terms of effort, that I have written.
I received this camera over 3 months ago from a new friend. Soon after we started wandering and walking together she mentioned she had an “old” camera in her loft and I could have it, but it probably doesn’t work. Of course when I heard “old camera” I was hooked. I asked questions…
What kind of camera? What film does it take? Does it use batteries? Where did you get it? To all questions, I got a shrug and an “I don’t know, it was in the loft when we bought the house.”
So I just waited and one fine day she brought it over to my house.
*Gulp* It was not what I was expecting at all. I have no experience with this type of camera. I didn’t even know where to begin. These photos are after I dared to open it up and attach the lens.
Talking of the lens, can you see the big gap between the glass and the front of the cylinder? The front element had detached… is it an element when there are just two pieces of glass and a barrel? The front piece of glass was loose and moving around inside the brass barrel. I was going to give up on that altogether, then I looked at the prices of replacement lenses *gulp* and put the whole thing back in the bag/box and put it under my bed.
To be honest the whole project made me nervous and I tried to get rid of the responsibility and the camera. One of the people I offered it to said, “get a grip you can do it.”
So a few days later I took the camera out again and took a deep breath. The first thing I looked at was the bellows. If they were damaged then I was screwed, I could not buy or make a new one. I could possibly fix very small holes. Here is a great resource if you ever need to do that. Fortunately, the bellows seemed perfect, no holes at all. Great start.
Next was to use wood glue on any parts that were split. In my worry and haste, I did not take great photos of this process. The main part that needed fixing was the lens plate holder. That was in two parts.
That part of the camera gave an obvious clue about its history. Ralph Cuthbert was a chemist in Huddersfield, you can read about one of his exploits in this article. And this entry states that he formed a limited company in 1913 and that he died in 1917. As the camera’s label doesn’t mention “Ltd” then I guess it is from before 1913. The Byram Arcade was first seen on a map in 1890, so the camera is probably from after that point.
Another clue was inside one of the film holders, it was a glass plate.
I used an app to turn it into a positive photo.
I posted the photo online and one of my friends said there was an Uncle Tom’s Cabin in Blackpool. After a little search online I found this article. As you can see, the photo in the article is of the same building and if you read the text you will find out the building was demolished in 1908. Therefore, Mr. Watson, we can surmise this camera is probably from around 1900. Bloody hell…and it is now my responsibility. Just to confirm the date, here is a collection of similar cameras with details of dates.
OK, next issue, the lens. I had to put the front glass back in the right place. I know this might make a few people *gulp* just like me. But I unscrewed the only screw I could find and just superglued it back in place. There was no shutter mechanism and I stayed very clear of the aperture blades.
Before I put the lens back together I waited for the glue to fully set to avoid any issues with a residue like I experienced with this camera. Then I screwed it onto the plate and slid it onto the camera.
But did it work, would it focus…I had no idea at this point as I did not know how to focus the damn thing, the lens only has apertures from f8 to f64. So more research was required. First I found articles like this one. Hmm, mine doesn’t seem to have a shutter release at all. This one seemed more likely.
So I need to move the rail somehow, I looked the camera over.
Found it!! This moves and the camera will focus somehow. I looked at the back of the camera and I couldn’t see anything on the glass plate. The image was too light, I needed more lightness and darkness. I took the camera outside but I didn’t have a blackout cloth, would a towel work?
First objective achieved, an image…an upside down image. Now for stage two, getting a negative.
The bag had three plate holders inside, one was missing the middle light shield.
Once the camera was focused you lifted the focusing screen and slid the holder into place. The holder had to be prepared beforehand by inserting glass plates coated in a light-sensitive material.
However, there was no way in the world I was going to prepare and use glass plates, so what is the nearest modern equivalent? 4×5 sheet film. Holy moly it is expensive, plus I need a holder. My heart sank. At the very least I would need.
- Sheet film – the cheapest on eBay I could find was Shanghai ISO100 £25 for 25 sheets
- At least one 4×5 sheet holder, about £10 from West Yorkshire Camera
- Some way to develop the sheets, a 4×5 developing tank adapter around £20+ on eBay
- And a loupe to attain a fine focus £10+
At least I already had a tripod and surprisingly the camera fit modern tripod screws 😦
I put the camera away and reviewed my out of work finances. Even if I could get all the things I needed, how could I fit the 4×5 cassette in the camera?
As you may know, I am not a patient person when it comes to things like this and sometimes I actually “dream” an answer. The next day I woke up and went, “THE BROKEN HOLDER!!!”
If I could cut down the broken holder to take the 4×5 cassette it just might work. Sacrilege? Cutting a Victorian glass plate holder? Don’t care, it is now mine to do with as I please…sorry. Really I am, but it had to be done.
I decided to sell a camera to pay for the things I needed. Bye bye OM2, hello saw and chisel.
I have never tried this kind of thing before, but would you believe it…the 4×5 cassette fit like a glove.
Gosh this is turning into a very long post. Ok, onward and forward, loading the sheet film.
Simples. Plus…don’t forget to take off any movement activated watches with an LED display 🙂
We are getting there. The next issue, no shutter just a lens cap. That meant I would have to use the lens cap as a shutter by taking it off and putting it back on. So the exposure would have to be at least 2 seconds to avoid camera shake or suchlike. Luckily the lens cap was in good condition and attached to the lens when I received the bag.
So this is the sequence of events.
- Prepare the 4×5 cassette. Make sure the film shield are showing the white label (or black depending on your own choice)
- Find a subject for a photo. This might mean lugging the camera and a tripod to a location.
- Find the exposure setting using a light meter, make sure it is over 2 seconds for 100ASA film at f22 (or whatever ASA you are using).
- Put the camera together.
- Place on a very sturdy tripod.
- Set the lens aperture to the largest to let in more light, f8.
- Use the towel, coat or something dark to focus the camera on the subject and use the loupe to get a sharper focus.
- Reset the aperture to f22 or smaller depending on what is needed for a longer exposure time.
- Once focused and framed PUT ON THE LENS COVER
- Move the glass focusing plate and slide in the adapted holder with the 4×5 cassette
- Put the light cover, my towel or coat, over the back end of the camera and remove the light shield protecting the sheet.
- Remove the lens cover and count out the “elephants” needed
- Put the lens cover back on
- Put the film shield back in with the black label showing
- As a film cassette holds two sheets take out this holder and replace the glass focusing screen.
- Return to number 2 for the next shot or go home and develop the sheets.
All that effort for 2 shots. For my first test I stayed at home and tried to take a photo of a swan feather I retrieved the day before. That way I would not have to lug the camera anywhere. I worked out that I would need 6 elephants to get an image. I only managed to get one shot as I put the second light shield back in the first slot and jammed it, fogging the second sheet.
Putting the sheet on the developing holder was a pain in the butt. I was sure, even if it worked, it would be covered in finger prints. After the development process I could barely wait to see the developed sheet.
I almost cried. I didn’t care if it was out of focus, I could see a feather. I waited for it to dry and put it on the iPad and took a photo with my phone.
This is the first test shot.
Of course I tried again immediately. As my dad was engrossed in watching TV I took a photo of him. He had to stay very still for eight elephants.
I rushed into Leeds and bought three more cassettes and loaded them up. I was going to visit a friend for some cosplaying photos in an abandoned house, perfect for this style of shot. She could stay still, well the building could anyway. We lugged the camera uphill for a kilometer. I set up the camera.
…and then realised I left the film cassettes in the car, bugger. Lesson learnt.
To finally use the loaded sheets, I took the camera to my local park, double checking I had the cassettes.
And now finally the shots, it took a while to develop them as I can only do two at a time.
Just one didn’t come out, not quite sure why.
Done, completed, success. I have a few sheets left and I will probably take the camera to Blackpool to get a shot of the new Old Tom’s Cabin building. After that, I am not sure I will ever use it again. It is a lot of effort. This part was a challenge and therefore fun, but I much prefer 120 or 35mm.
Now, this post is very long and picture heavy, it seems WordPress is having an issue and keeps losing my pictures. So I am going to upload it before it disappears again.