Another borrowed camera. But I am so tempted to buy this one from my friend. I mean, look at it…









It was produced around 1964 and has a classic look, plus it was so clean and shiny. The functions were very smooth, and the light meter worked, too. It has an f/2.8 30mm lens with speeds ranging from 1/30th to 1/500th and B. It has a selenium cell with a red and green indicator in the viewfinder. You set the film counter manually, and it counts backwards. It is zone-focused, but there is an extra movement to focus down to 3 feet. It needs slower films as it can be set ASA 10 – 250 via a coin slot on top of the camera. It was a luxury item in its time, Jim Grey says the price today would work out to be $1,300. You can find the manual here.
And, as you can see by the camera photos, it is a half-frame camera. Now, in the past, that would have had me running for the hills, but not now. A few great half-frame cameras have changed my mind. It is a precarious love, though, one bad half-frame could tip my love the wrong way. Would this be the one?
I loaded it with a roll of Fuji 100 and took it to a few places. Here are some of the diptychs from that roll.











I really enjoyed using the Parat; it was simple. You set the distance zone and it press the shutter halfway to check the exposure indicator turns green. The camera will not block a shot if the indicator is showing red. I was blown away by the results of the film and the camera. For a half-frame, the results are so sharp. Here are some of the results in full form.













This is one of the sharpest point-and-shoot half-frame cameras I have tried. I immediately loaded it with a half roll of film that snapped inside another camera. Half-frame cameras are perfect for short rolls of film. This time it was a roll of black and white, so I could develop it at home in caffenol. That usually gives grainier photos for me, so how would it affect this combination?
These were taken on a day trip to Cleethorpes with my father; it was a miserable day weather-wise, but we loved the miniature steam train.










Gosh, for half-frame developed in caffenol, they are not too bad at all. Oh, the dilemma, I really want this camera, but if you see my GPS counter, you can see I made a big purchase recently. Plus, I have a few other half-frame cameras, including the Olympus FT. Well, it is not my camera so I will put it on eBay and try and get a good price for my friend. This camera deserves a good owner…if it can’t be me….maybe I will try it again before it sells. If you get a chance to own one, i would jump at it.
Oh, and rumour has it, there is a half-frame day event in the works by some photographers. I will definitely be taking part in that.
Finally, as I say goodbye to this example, here is another blog raving about this camera.
Oh, those photos were incredibly beautiful! Not even the Olympus Pen EE with its beautiful Zuiko lens could compete with this Agfa camera. The A mode with its red and green indicators adds a cutting-edge design for its time. Happy discovery, Peggy!
Thats not making my decision to sell easier 😀
Peggy, I bet that camera’s lens is an Apotar formula. Your photos look sharper than those produced by the vaunted Pentax 17. Keep the darn thing!!
Hmmm …. some research suggests the lens is a Solinar, a 4-element Tessar copy. No wonder it’s so sharp!
They’re hard to find on eBay and not cheap, but still cheaper than a Pentax 17. Now I want one….
I have reloaded this one.